Previs / Nightbooks Nursery
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
Nursery Flowers and Shredder Sack. / Unreal Previs (Pre-visualization) models
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
Animation Unreal Previs / Shredder. The main villain of this sequence of shots. I was responsible for look dev inside Unreal.
Shredder / Unreal Previs (Pre-visualization) model.
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
The final shot is based on the Previs (Pre-visualization) shot I worked on in Unreal. / Courtesy of Netflix
Satanic Ritual Platform. / Unreal Previs (Pre-visualization) model.
Nursery Tables. / Unreal Previs (Pre-visualization) model.
During my time as a Lead Unreal Generalist for Virtual Production, at Pixomondo Toronto, I was lucky enough to work with the Layout and Maya Previs team on the Netflix Film "Nightbooks". This is the Nursery environment, where the heroes of the story face the creature named "Shredder".
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I was responsible for:
- Assembling the environment inside Unreal.
- Texturing and Look Dev of the Environment.
- Organizing shots and sequences of the animations.
- Set dress the environment as per director requests, inside Unreal.
- Lighting the Scene inside Unreal.
- Rendering the previsualization shots.
- Working on FX and Atmos inside Unreal.
- I was also responsible for some client-facing tasks, such as navigating the environment during discussions